A departure from the norm of obscure noise and drone tapes, and an adventure into the hallowed halls of awesome Bandcamp obscura. This is some sitar based space rock, with lots of awesome sounding improvised grooves and other stuff that is of amusement. It's a good natured, and at times, beautiful album. Have fun with it, god only knows how I have. Think sitar based post-rock but IN SPAAAAAAAAACE.
This blog has reached the end of Thanks all friends for all the years we have traveled in the world of music together. Goodbye!!!
Τρίτη, 30 Δεκεμβρίου 2014
Κυριακή, 21 Δεκεμβρίου 2014
01-subaudition-a golden staircase
02-tenhi-seitsensarvi-grey shine of june
03-vali-et ensomt minne
04-neun welten-auf kargem fels
05-orplid-auf deine augen senk ich schlummer
06-of the wand and the moon-i crave for you-re recorded
07-gae bolg ballade
Τετάρτη, 17 Δεκεμβρίου 2014
Songs / Tracks Listing
1. Come Back June (3:59)
2. All Of My Life (4:08)
3. We Built The Sun (5:00)
4. Comets (4:16)
5. Tragedy In F Minor (5:02)
6. The Open Ground (3:35)
7. Everybody's Song (4:20)
8. G.E.A.B. (5:28)
Line-up / Musicians
- Dek Boyce / vocals
- Barry Clark / guitars
- Peter Whiteman / keyboards
- Jez Turner / bass
- Steve Townsend / drums
Τρίτη, 16 Δεκεμβρίου 2014
Dionusis Savvopoulos - 01 - Elsa se fovamai
Dionusis Savvopoulos - 02 - Aggelos eksaggelos
Dionusis Savvopoulos - 03 - Tragoudi
Dionusis Savvopoulos - 04 - Zeibekiko
Dionusis Savvopoulos - 05 - Olaria Olara
Dionusis Savvopoulos - 06 - To mwro
Dionusis Savvopoulos - 07 - I Dimos8enous leksis
Dionusis Savvopoulos - 08 - Mauri 8alassa
Κυριακή, 14 Δεκεμβρίου 2014
01-La resa dei conti
03-Il vizio di uccidere
Παρασκευή, 12 Δεκεμβρίου 2014
Prototypical 70's Belgian band, DRAGON's music falls mostly in the hard progressive category with a psychy edge. For all the adepts of delicate and elaborated rock, this band displays a great richness, a great instrumental diversity (Mellotron, guitar, trumpet, trombone, saxophone, etc.) with some lightened guitar soli. They sound like a mix of IRON BUTTERFLY, URIAH HEEP, VAN DER GRAAF GENERATOR, and 70s Italian Art Rock.
Τρίτη, 9 Δεκεμβρίου 2014
01. Kick The World
02. Red Justine
04. No No, Yeah Yeah
06. Lonely Ride Tonight
07. Seven Days In A Hole
08. Hard Rock 'N' Roller
Bass, Vocals – Con. Nikolaidis*
Cover [Design] – C.C. Papadopoulos*
Drums – Pan. (Pavlik) Fakiroudis*
Engineer – Sakis Trikis*
Engineer [Assistant] – Nikos Ginis*
Lead Guitar – Con. J. Papadopoulos*, Pan. Tsakiroglou*
Lead Vocals – Theod. Doulamis*
Photography – Living Foto News
Producer – Makis Milatos*
Written-By – Northwind
Σάββατο, 6 Δεκεμβρίου 2014
Goblin (also Back to the Goblin, New Goblin/Goblin Rebirth, the Goblin Keys and Simonetti's Goblin) is anItalian progressive rock band known for their soundtrack work. They frequently collaborate with Dario Argento, most notably creating soundtracks for Profondo Rosso in 1975 and Suspiria in 1977. CD re-releases of their soundtracks have performed well, especially in Germany and Japan. Goblin returned with a series of live concerts in Europe in 2009 and in North America in 2013.
Initially named Cherry Five, the band has been influenced by Genesis and King Crimson. Their early work spawned oneeponymous progressive rock record, and they were then called in to compose the soundtrack for Profondo Rosso. The band changed their name to Goblin, rewriting most of the score, originally written by Giorgio Gaslini including the famous main theme. The 1975 soundtrack album was a huge hit.[where?] After a reshuffle in their line-up, and they put out an instrumental progressive rock album Roller, before working with Argento again for 1977's Suspiria. Other film soundtracks and a concept album (Il Fantastico Viaggio Del Bagarozzo Mark) followed, then the score for the European version of George A. Romero's 1978 Dawn of the Dead. Tracks 1, 2 and 5 from the European version are also in the American version of the album.
Despite their success, membership continued to be a revolving door, and the band also struggled to maintain their credibility. The remaining members continued to work on further soundtracks, and there was a partial reunification for Argento's Tenebrae (1982) (although each member of the band was credited separately, not as Goblin). The last collaboration with the director took place in 2000, with the film Non ho sonno (Sleepless).
Πέμπτη, 4 Δεκεμβρίου 2014
CAN is one of a few internationally known "Krautrock" groups; they are famous for their repetitive and hallucinatory sound. CAN was founded in 1968 by LIEBEZEIT, Irmin SCHMIDT and Holger CZUKAY, and in their early days they also included American singer Malcolm MOONEY or Japanese vocalist Damo SUZUKI. They transformed progressive-rock into a science. By bridging classical music, jazz music and rock music of their times, CAN accomplished the first organic study on rhythm and texture. Their hypnotic and glacial instrumental jams straddled the line between free-jazz, acid-rock and chamber music. CAN's music can be difficult to appreciate, yet their albums offer some of the best experimental rock ever recorded. Then there are always the myths, the legends and the fascination.
Here's a synopsis of most of their albums. I can recommend "Delay" through to Soon over Babaluma. "Delay" was the first album recorded although it was not released until 1981. Most of their albums are great, particularly "Monster Movie", "Soundtracks", "Tago Mago", "Future Days", and "Ege Bamyasi". After "Soon over Babaluma" I'd say forget it as CAN loose there fresh approach for which they were reknown. 1997 becomes the year where other musicians show the timeless aspect of CAN's music in the new remix album "Sacrilege". And this is the Sound of CAN in the nineties.
"Limited" and "Unlimited Edition" are a collection from 1968 to 1974. In the autumn of 1978, a double CD retrospective "Cannibalism 1" was issued on United Artists, and, for many, still stands today as the definitive CAN collection. It drew from the band's first six albums, but a tremendous sampling of songs from their essential early albums. "Cannibalism 1" is the best CD to buy to first experience the incredible music of CAN.
CAN's legacy still resounds clearly across the landscape of contemporary music. As Julian Cope concludes, "CAN will be remembered as one of the great 20th century bands. I've listened to their music for over 23 years, and I still freak out at their staying power... Every one of CAN's members is a hero, and a true star."
With due acknowledgement to Piero Scaruffi's book "A History of Rock Music" for some of the information and text quoted.
Can was a German experimental rock band formed in Cologne, West Germany, in 1968. Later labeled as one of the first krautrock groups, they transcended mainstream influences and incorporated strong minimalist and world music elements into their often psychedelic music.
01 - can - Deadlock
02 - tango whiskeyman
03 - deadlock (title music)
04 - don't turn the light on, leave me alone
05 - soul desert
06 - mother sky
07 - she brings the rain